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Charlotte is now a wealthy spinster, still living on the Ascension Parish plantation that has been in her family for generations. Charlotte's father died the year after Mayhew's murder, believing his daughter guilty. All these years, Charlotte has believed that her father killed John Mayhew. Everyone else assumes that Charlotte, the crazy recluse, decapitated her lover.
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De Havilland, as her cousin, lives very much for the present – and future – as she attempts to soothe and rationalize with the deeply emotional mistress of the house. When Joan Crawford took sick and was hospitalized as filming began (see above), scenes were shot around her, but when it became evident that she would have to be replaced, her role was offered to Katharine Hepburn and Vivien Leigh. Charlotte is soon joined by her rather more urbane cousin Miriam, who she somehow imagines will be able to magically solve her eviction nightmare.
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Ultimately, Hush...Hush, Sweet Charlotte was a solid film, but it could never fully escape the shadow of Davis' contentious team-up with Joan Crawford in the macabre hit, Whatever Happened to Baby Jane?. Robert Aldrich’s followup (but no relation) to What Ever Happened to Baby Jane? Bette Davis again stars, with Olivia de Havilland returning to the screen in the role which Joan Crawford started but due to continued illness had to abandon. Robert Aldrich's followup (but no relation) to What Ever Happened to Baby Jane? Olivia de Havilland replaced Joan Crawford after the latter fell ill just before production was about to begin. Flash-forward almost forty years to 1964 and the events of that grisly evening have continued to haunt Charlotte ever since.
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(1962), Aldrich wanted to make a film with similar themes for Joan Crawford and Bette Davis. Their feud was infamous and legendary, and they were not initially eager to repeat themselves. Writer Henry Farrell, on whose novel the film had been based, had written an unpublished short story called "What Ever Happened to Cousin Charlotte?" that Aldrich envisioned as a suitable follow-up. Aldrich's frequent collaborator, Lukas Heller, wrote a draft of the screenplay, but was replaced by Farrell in late 1963. Thirty-seven years later, Charlotte, a spinster, having inherited the estate after her father died, is tended to by her loyal housekeeper, Velma. In the intervening years, John's death has remained an unsolved murder, though it is commonly held that Charlotte was responsible.
When the Louisiana Highway Commission decides to build a road through her property, Charlotte Hollis threatens the workmen with a shotgun. Thirty-seven years earlier Charlotte's married lover, John Mayhew, was murdered; and though the killer was never discovered, the local townspeople are convinced of Charlotte's guilt. Charlotte herself, believing that her father killed Mayhew, became a recluse, living with her housekeeper, Velma, in the deteriorating Hollis mansion. Now she seeks help in her fight against the Highway Commission from Miriam, a poor cousin who lived with the family as a girl.
Farrell and Heller won a 1965 Edgar Award, from the Mystery Writers of America, for Best Motion Picture Screenplay. The title song became a hit for Patti Page, who took it to #8 on the Billboard Hot 100. The film's seven Oscar nominations were the most for a movie of the horror genre up to that time.
Academy Awards, USA
Charlotte overhears the entire conversation from the balcony, except for Miriam's admission that she had witnessed Jewel kill John, and has been using the knowledge to blackmail Jewel throughout the years. Charlotte pushes a large stone urn off the balcony, killing both Miriam and Drew below. Moorehead won the Golden Globe Award for Best Supporting Actress.
How Successful Was 'Hush... Hush, Sweet Charlotte'? The Film Helped Change Perceptions About Horror - Bustle
How Successful Was 'Hush... Hush, Sweet Charlotte'? The Film Helped Change Perceptions About Horror.
Posted: Sun, 23 Apr 2017 07:00:00 GMT [source]
Not only did Davis lose, she had to watch Crawford revel in the glory. According to Hollywood legend, Davis started to force the cast and crew of Sweet Charlotte to pick sides in their personal rivalry. When Crawford arrived in New Orleans to start doing principle photography, no one picked her up at the airport. Immediately, she fell "sick." She was sick for about two months, forcing Aldrich to hire a private investigator to snoop and see if she was faking it or not. In the historic first criminal trial of an ex-president, Donald Trump faces 34 felony counts of falsifying business records to cover up a violation of campaign finance law. But despite such a major event, there are no video cameras allowed in the courtroom, and no still photos save for those typically taken of the defense table in a minute-long photo opportunity.
It struck me as though she was determined to outdo Davis’s histrionics but without a hint of her subtlety. The rest of the cast, particularly Davis and de Havilland, almost make up for this. ‘She’s not really crazy,’ Sheriff Luke Standish explains to the workers’ foreman (George Kennedy). ‘She just acts that way because people seem to expect it of her.’ Not everybody in the local parish would agree with this assessment, though. He gives her ten days to vacate the mansion, or she’ll be summoned to court.
Shortly after, John is ambushed and decapitated in the summerhouse by an assailant with a cleaver. Charlotte returns to the house in a bloodstained dress, which all of the guests witness. Martin Scorsese’s 3.5 hour movie about the Osage tribe who were murdered over the span of years, was adapted from a book by David Grann who researched the true story. The next day, the authorities escort Charlotte from home, as a crowd gathers around to observe the spectacle. Charlotte receives an envelope from Mr. Willis, which he received from Jewel (who died of a stroke after hearing of the incident which occurred on the previous night), ostensibly confessing to the murder of her husband John. As the authorities leave with Charlotte, she looks back at the house.
She has stayed closeted in the same mansion in the fields of Louisiana but is now being forced to move, her home to be demolished to make way for a bridge and new roads. We’re told that ‘she could live anywhere in the world like a Queen’ but she dreads the idea of being forced out. Miss Charlotte, when this movie begins, is a young debutante in love with an older, married man John Mayhew (Bruce Dern). Her dictatorial father has discovered a plan between the pair to elope to Baton Rouge after an upcoming grand ball – he vows to put an end that idea. The title song by Frank de Vol became a hit for Patti Page, who recorded a version which reached no. 8 on the Billboard Hot 100. Scenes outside the Hollis mansion were shot on location at Oak Alley plantation in Louisiana.[10][11][12] Scenes of the interior were shot on a soundstage in Hollywood.
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